Roxane gay pass over broadway death
Years later she is a budding television producer, with a husband called Lacy (Alano Miller) and a young daughter. Instead of telling Robert how she feels and why he should stay, Sylvie stays silent, sacrificing herself for his benefit. Though Sylvie has a fiancé, she and Robert fall in love, but their relationship abruptly ends when Robert has an opportunity to advance his career in Paris. She is watching television in her father’s record shop when she meets Robert (played by the handsome, finely chiseled Nnamdi Asomugha), a talented jazz saxophonist. Deftly directed by Eugene Ashe, Thompson plays Sylvie, an ambitious young Black woman of privilege living in Harlem in the 1950s. In her latest film, Sylvie’s Love- streaming now on Amazon-Thompson, who is both star and executive producer, demonstrates that. If I have a microphone, maybe the most useful way is just to pass it on to someone that knows more than I do.” As she negotiates that balance of knowing when to speak and when to listen, one thing Thompson is definitely doing is putting her whole heart into work.
“I’m not sure it’s that useful all of the time. “We’re living inside this time where there’s an expectation, if you have some measure of a platform, to use it,” she says. Thompson readily acknowledges the things that people expect of her.
Roxane gay pass over broadway death series#
She is a star of action franchises like Men in Black and of Marvel movies she has charmed audiences in independent films like Sorry to Bother You and Little Woods she has appeared in TV series like Westworld and Dear White People she records her own music there’s a Twitter account dedicated to posting pictures of her with goats (more on that later). After all, she is, at 37, one of the most visible performers of her generation. Thompson is aware that she’s expected to do something. The world as it really is, she explains, “has been exposed in all its glory and gore, and maybe there is hope in that, in the sense that some of us are more awake than we have been.” The question becomes what we do, now that we’re more awake. “It feels like things have been turned inside out this year,” Thompson says. We are experiencing yet another surge in coronavirus cases, and the holiday season isn’t shaping up to be nearly as festive as it should be. It’s late November, and while we’re past the 2020 presidential election, political uncertainty lingers. Without superficial distractions, we’re able to get real and go deep.ĭuring the initial moments of our conversation, Thompson remarks, “‘How are you?’ feels like a cruel question these days,” and indeed, she’s right.
We’re talking over Zoom and having a great conversation, but, given that this is how interviews take place these days, there’s no opportunity to witness a quirky encounter with a fan or to remark on her wardrobe or to see what and how she eats. It’s just before Thanksgiving, and Thompson is at home in Los Angeles, beautiful as ever, sitting in a chair with a knee pulled to her chest. I’m not speaking to Tessa Thompson in person, and that’s honestly kind of a relief.